Materials To Avoid When Engraving Glass

Famous Historical Glass Engravers You Need To Know
Glass engravers have been extremely experienced artisans and musicians for thousands of years. The 1700s were especially remarkable for their achievements and popularity.


For instance, this lead glass cup shows how etching incorporated design trends like Chinese-style themes right into European glass. It also illustrates exactly how the ability of an excellent engraver can produce illusory deepness and aesthetic texture.

Dominik Biemann
In the first quarter of the 19th century the standard refinery area of north Bohemia was the only area where naive mythological and allegorical scenes engraved on glass were still in fashion. The cup envisioned below was etched by Dominik Biemann, who focused on little pictures on glass and is considered as one of the most essential engravers of his time.

He was the kid of a glassworker in Nové Svet and the bro of Franz Pohl, an additional leading engraver of the period. His work is characterised by a play of light and shadows, which is particularly obvious on this cup presenting the etching of stags in woodland. He was also known for his deal with porcelain. He died in 1857. The MAK Gallery in Vienna is home to a big collection of his jobs.

August Bohm
A remarkable Nurnberg engraver of the late 17th century, Bohm collaborated with delicacy and a sense of calligraphy. He engraved minute landscapes and inscriptions with bold formal scrollwork. His work is a precursor to the neo-renaissance style that was to dominate Bohemian and other European glass in the 1880s and beyond.

Bohm embraced a sculptural feeling in both relief and intaglio engraving. He exhibited his mastery of the latter in the finely crosshatched chiaroscuro (tailing) impacts in this footed cup and cut cover, which illustrates Alexander the Great at the Fight of Granicus River (334 BC) after a paint by Charles Le Brun. In spite wedding keepsake glass of his significant ability, he never accomplished the fame and ton of money he sought. He died in penury. His wife was Theresia Dittrich.

Carl Gunther
Despite his tireless work, Carl Gunther was a relaxed male that took pleasure in spending quality time with friends and family. He liked his everyday ritual of visiting the Collinsville Senior Center to appreciate lunch with his pals, and these minutes of friendship supplied him with a much needed respite from his demanding job.

The 1830s saw something fairly amazing occur to glass-- it ended up being colorful. Engravers from Meistersdorf and Steinschonau created highly coloured glass, a preference referred to as Biedermeier, to meet the demand of Europe's country-house courses.

The Flammarion inscription has become a symbol of this brand-new preference and has appeared in publications dedicated to science along with those checking out mysticism. It is also located in many museum collections. It is thought to be the only enduring instance of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) started his career as a fauvist painter, yet ended up being captivated with glassmaking in 1911 when visiting the Viard bros' glassworks in Bar-sur-Seine. They provided him a bench and instructed him enamelling and glass blowing, which he mastered with supreme ability. He established his own strategies, utilizing gold flecks and manipulating the bubbles and other natural problems of the material.

His approach was to deal with the glass as a living thing and he was just one of the very first 20th century glassworkers to use weight, mass, and the aesthetic impact of natural problems as aesthetic components in his works. The exhibition shows the significant influence that Marinot had on modern glass manufacturing. Unfortunately, the Allied battle of Troyes in 1944 ruined his workshop and countless drawings and paints.

Edward Michel
In the early 1800s Joshua presented a style that simulated the Venetian glass of the period. He utilized a method called ruby point inscription, which includes damaging lines into the surface area of the glass with a difficult steel execute.

He also established the first threading maker. This invention permitted the application of long, spirally wound tracks of color (called gilding) on the text of the glass, an essential function of the glass in the Venetian style.

The late 19th century brought new layout ideas to the table. Frederick Kny and William Fritsche both operated at Thomas Webb & Sons, a British company that focused on high quality crystal glass and speciality coloured glass. Their job mirrored a preference for timeless or mythological topics.